CBAA Members: You Are Invited

Looking to become an active part of our wonderful organization, form deeper connections to our CBAA community, support meaningful initiatives, and build your professional leadership skills?

Our board would love to have you!

CBAA members are invited to nominate candidates or self-nominate by emailing nominations to the Nominating and Membership Committee. Please email Karen Baldner, Vice Chair for Nominations, at kbaldner@iu.edu. Nominees must be willing to serve.

Nominations are due by September 1.

Open Board and Committee Member Positions are:

*COMMUNICATIONS

  • Chair
  • Vice Chair for Member Relations

*EDITORIAL BOARD

  • Scholarly Articles Editor
  • Exhibitions Review Editor

*CBAA BOARD OF DIRECTORS

*STUDENT AND COMMUNITY BOARD MEMBERS

Go to the CBAA Board & Committee Openings page for more information.


Peter Tanner (University of Utah) and Levi Sherman (UW–Madison) will co-chair a session sponsored by CBAA at the 2027 College Art Association annual conference. The session will be presented in person on location at the New York Hilton Midtown, February 3–6, 2027.

*The call for proposals is open until August 31*. Use the link below to submit an abstract.

The theme is: The Artist Book as a Locus of Creative and Theoretical Experimentation
https://caa.confex.com/caa/2027/webprogrampreliminary/Session18230.html

The artist book has evolved into a dynamic site of artistic practice, where the material form and structure of the book become central to creative and critical inquiry. As both medium and method, it opens new avenues for research and knowledge production across disciplines, including experimental methodologies, interdisciplinary practice, digital creation, and artist-led or small-scale publishing ecosystems. In these contexts, the artist book functions not only as an object, but as a space for testing ideas, challenging conventions, and rethinking how knowledge is produced and shared.

This call invites submissions that engage with artist books through diverse perspectives, including art history, literary critique, production methods, exhibition practices, and accessibility. Topics may include, but are not limited to:

  • Art Historical and Literary Analysis: How do artist books challenge or reshape dominant narratives?
  • Materiality and Production: What does material form signify in an  increasingly digital landscape?
  • Theoretical Frameworks: What critical approaches illuminate contemporary book art?
  • Exhibition and Access: How can artist books be effectively displayed and made accessible?
  • Identity and Power: How do artist books engage cultural, racial, and gender dynamics?
  • AI and Digital Technologies: How are emerging technologies transforming the field?

We welcome submissions from scholars, artists, curators, and practitioners that explore the intersections of visual, textual, and critical practices, addressing both historical developments and contemporary innovations in artist book culture.

If you have work that corresponds to the theme of the session, please consider submitting; if not, please share with anyone else who may be interested.

-- 
Levi Sherman
Pronouns: he, him, his
520.258.8244.
Levisherman.com <https://levisherman.com/>
Artistsbookreviews.com <https://artistsbookreviews.com/>
Partialpress.net <https://partialpress.net/>

Ph.D. Student, Department of Art History
University of Wisconsin—Madison



The Book Arts Tool Map focuses on large-scale and niche machinery such as board shears, guillotines, or fiber beaters for fellow artists with existing knowledge. To best serve users, map data could be filtered via location or type of tool/machinery. Tools are identified on the Map with unique icons linked to an artist’s preferred contact method; the Map also features a restricted zoom scale to protect locational privacy.

For more information review this BATM_Newsletter.pdf
Website: https://bookartstoolmap.wixsite.com/bookartstoolmap/about 
Instagram: @book.arts.tool.map

Employment Opportunities:

Book Arts Program Director // University of Richmond, VA

Job Description

The Book Arts Program Director works in partnership with faculty and library colleagues to incorporate creative expressions of research and to expand modes of book arts research through design thinking, reference, instruction, and outreach services to the campus community, with responsibility for associated curricular and research support for Book Arts study. Works in partnership with faculty and staff as an intellectual partner on book arts project envisioning and implementation across diverse interdisciplinary audiences. Oversees the creation and promotion of studio projects to campus and community members. Assists in stewarding the development of the Book Arts Collection and related materials to support research and instruction needs of students, faculty, independent researchers, and community members.

For more information, click here to read the full job listing on the university website.

Events & Workshops:



Please see the CBAA Event Calendar for a full list of postings.




CBAA JOURNAL //


BLOG //

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Read the most recent posts from our BOOK ART THEORY blog here.

FEATURED ARTIST //


Beatrix Reinhardt is our featured artist!

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MEMBER DIRECTORY //


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